$149.00
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The two channel Fairchild 670 is the “Holy Grail” of compressors in studio gear esoterica, not only because of its price (around $30,000 on the vintage market), but its extreme rareness and the difficulties in maintaining such a piece. With 14 transformers, 20 vacuum tubes, and a 6 rack-space encompassing girth, the 670 is the heavyweight champion of compression weighing in at 65 pounds.
- Modeled after Ocean Way’s famous golden unit
- Sidechain Link mod couples attack and release between both channels
- DC Bias controls allowing control compressor knee/ratio
- Time Constant control allowing six unique attack and release times
- Lat-Vert functionality maintained for vinyl mastering or stereo image effects
- Separate mono version of 670 compressor for mono tracks
- Added functionality
- Input and Output metering
- Final Output Gain
- Controls Link which couples dual control
The two channel Fairchild 670 is the 'Holy Grail' of compressors in studio gear esoterica, not only because of its price (around $30,000 on the vintage market), but its extreme rareness and the difficulties in maintaining such a piece. With 14 transformers, 20 vacuum tubes, and a 6 rack-space encompassing girth, the 670 is the heavyweight champion of compression weighing in at 65 pounds. UA's emulation is modeled after Allen Side's favorite unit from Ocean Way Studios. UA went to great efforts to capture the unique and sublime sonics of this famous mu-type tube limiter, as well as maintaining all the features of the original. UA adds an auxiliary panel allowing access to rear access controls, common mods, and unique Universal Audio-only additions.
User Reviews
Matt Knobel
(Lenny Kravitz)
"With the others, you have to work all day ... With the UAD, you put it on and it sounds like a Fairchild."
Matt Knobel
(Lenny Kravitz)
"With the UAD-2 , you put it on and it sounds like a Fairchild. It makes it so much easier to get what you're looking for."
Jim Dalrymple
(The Loop)
"I love the sound of a Fairchild [plug-in] on an acoustic guitar. For me, it just brings out that natural sound that I like"
Jim Dalrymple
(The Loop)
"[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."
Frank Filipetti
(James Taylor, Rod Stewart)
"Compared to the Waves & Bomb Factory emulations, it's [UAD Fairchild 670 plug] in a whole 'nuther league."
Frank Filipetti
(James Taylor, Rod Stewart)
"Neve 1073, Fairchild 670, & EMT 140 — I don't think I'd even consider mixing in the box without them."
Aziz Ibrahim
(Simply Red, The Stone Roses)
"The Neve 33609 & Fairchild 670 compressor plug-ins are my favorites. They really seem to fix things for me."
Henry Jackman
(The Da Vinci Code)
"The UAD Fairchild compressor, just like the original device, is an absolute winner."
Eddy Schreyer
(Oasis Mastering, Prince))
"[I choose] the Fairchild 670 Compressor for its clean, controlled compression."
Garrett "Jacknife" Lee
(R.E.M., The Cars)
"Wow! How did i do without it [UAD-2]? The 1073 EQ! 1176LN! Dimension D! The EMT reverbs! Fairchild 670!"
08/2010