$149.00
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The reputation of this analog classic is well known throughout the audio industry. Originally designed and built during the 1960's, the 1176LN was the first to use a Field Effect Transistor (FET) as a voltage-controlled variable resistor, and that innovation was the key to the product's unique character. An in-depth analysis of the 1176LN's "personality" allowed Universal Audio to methodically reproduce those results within a plug-in architecture, and now offer that same character to computer-based audio workstations.
- Ultra-fast attack time
- Unique, analog-friendly, "warm" characteristics
- FET Gain Reduction Emulation
- Supports the popular "All Buttons Mode", just like the original
- Input & Output Gain Adjustment Knobs w/adjustable Attack and Release Settings
- Adjustable Program-Dependent Compression Behavior
- Custom Output Transformer Emulation design
- Mono or Stereo Operation
- Full automation capabilities
- Flexible VU metering modes
- Detailed, precise screen shot provides a realistic analog look and feel
The reputation of this analog classic is well known throughout the audio industry. Originally designed and built during the 1960's, the 1176LN was the first to use a Field Effect Transistor (FET) as a voltage-controlled variable resistor, and that innovation was the key to the product's unique character. An in-depth analysis of the 1176LN's "personality" allowed Universal Audio to methodically reproduce those results within a plug-in architecture, and now offer that same character to computer-based audio workstations.
User Reviews
Charles Dye
(Pro Sound News)
"The Universal Audio UAD 1176LN and LA-2A compressors do a great job of capturing the character of the older gear."
01/2006
Gary Paczosa
(Allison Krauss)
"[The UAD-1] makes my job easier because I know exactly what I'm going to get when I pull up any of the plug-ins."
Mike Clute
(Pro Sound News)
"The emulations [of the 1176 and LA2A] are absolutely incredible."
10/2002
Jim Dalrymple
(The Loop)
"[I use] the Fairchild Compressor, Neve 1081, Neve 1073, LA-2A and the 1176 Compressor. They all give you something different."
Elliot Scheiner
(Aerosmith, Queen, Steely Dan)
"The only plug-ins that I use are the Universal Audio emulations of the 1176 and LA2As."
Gareth Jones
(Grizzly Bear, Depeche Mode)
"Mixing Grizzly Bear's Veckatimest, we used all UA gear we could get our hands on - 1176s & LA-2As of course."
11/2009
Vance Powell
(The Raconteurs)
"The 1176 [plug-in] sounds like my F revision 1176. I could switch my F in & out and not really notice a huge difference."
03/2009
Vance Powell
(The Raconteurs)
"The 1073, 1176, LA-2A, LA-3A, 33609, the RE-201, the Dimension D, and the CE-1 [plug-ins]. I couldn't live without 'em"
03/2009
Ed Cherney
(Rolling Stones, Eric Clapton)
"You cannot make a classic rock record, in my mind's ear, without an 1176 on the snare drum."
07/2009
Ed Cherney
(Rolling Stones, Eric Clapton)
"I use an 1176 as part of my signal chain on basically on all my channels."
07/2009
Hector Delgado
(Jay-Z, Ledisi)
"On Vocals, I always use an LA-2A to a UAD 4K Channel Strip to an 1176LN to a Precision De-Esser. They're amazing."
04/2010
Glenn Rosenstein
(Ziggy Marley, U2)
"Needless to say, the 1176, both the LN and the SE, they're definitely go-to plug-ins for me."
Garrett "Jacknife" Lee
(R.E.M., The Cars)
"Wow! How did i do without it [UAD-2]? The 1073 EQ! 1176LN! Dimension D! The EMT reverbs! Fairchild 670!"
08/2010